Tuesday, January 24, 2012

Tantalizing Tuesday Teaser!






Here is a panel I just finished drawing featuring Proffy, Heyoka and one of the artifacts from Beanworld 3.5!
All in a panel from Larry Marder's Beanworld Book Four: Something More!

Argh.
Just noticed I forgot to fill in the textures on the door.
Back to work!

Wednesday, January 4, 2012

A few things you might want to know!



A belated Happy New Year!
It was a busy holiday season here at Beanworld Press and this is the first moment I've had to blog.
First up, the illo above is the final cover that we decided on for what we've been calling Beanworld 3.5.
A 64 page hardcover full color graphic novella.
It's on the schedule for June shipping.
More details as they are given to me. 

Tomorrow I'm heading to Arizona for Amazing Arizona Comic Convention.
I'll be in Artist's Alley doing my usual leguminous things.

Sunday is Kid's Day.
I'll conducting a workshop for youngsters called:

"How To Create Your Own Comic Book Universe."
Everyone has stories inside of them, especially you!
Join Larry Marder, as he takes you on a journey of imagination
to show you how you can turn your own characters into stories
and start making your own comics!
Larry Marder’s series of Beanworld graphic novels have delighted readers
from grade school to grad school for more than a generation, earning him a spot on the
New York Times' Graphic Books Best Sellers List.

(I think it's scheduled for 11 on Sunday and don't know the room yet.)
It is aimed at young kids but I think anyone of any age will get a kick out of it.


And last but not least:
Over on Twitter #comicmarket every Tuesday there is a maelstrom of dialogue between various mover and shakers from every corner and niche of the comic industry. It's often a wild and bumpy ride. I add my two cents whenever I think I have something reasonable to share. I guess someone noticed because I got a 2012 Top Ten (kinda) Award for Comic Creator.


Tuesday, December 20, 2011

In Defense of Pop Art: Then & Now.




There has been a splatter of opinions about Pop Art in the blogosphere lately. It was set in motion by a thoughtful piece by Scott Edelman regarding the trompe l'oeil paintings by Sharon Moody.  I'd never heard of her before last weekend but I am very impressed with her extreme photo realism. Although my own tastes tend towards primitive, minimalistic, and conceptual art work, I've always had a soft spot for Chuck Close since I saw my first giant painting face-to-face in 1972 when he was a big-effin-deal in NYC gallery system. (His medical challenges changed his work and it's even more amazing now).

I understand the hows and whys of the comic art community's current complaints.
I do.
I don't agree but I do get it.

I also believe there is another side particularly when it comes to Roy Lichtenstein.

These pop art/Roy Lichtenstein dust-ups happen every few years-particularly since the advent of the Deconstructing Roy Lichtenstein website. In 1989 in the midst of a contemporary controversy in the letter column of Comics Buyer's Guide I wrote a letter to the editors, Don & Maggie Thompson, in defense of Lichtenstein. To my amazement then (and even now) they decided to run it as an article.
I got paid for it.
I believe I signed a back-of-the-check work-made-for-hire release for it so it belongs to them--not me.

I include links to old photocopies of the article for purely historical reasons. You can read my two page piece by following these links: page 1 and page 2. It's shown without permission.

As I explain in the piece, Lichtenstein stopped doing comic book paintings in 1965. That was 24 years before I wrote the piece in 1989. 22 years have passed since.
A lot of water under the bridge.
My bridge anyway.

I still believe all the things I said.
Most of the questions I asked I believe are still valid and mostly unanswered.

My favorite Lichtenstein works are still the mirrors and brushstrokes.
I'm really not trying to change any one's mind--my mind is set and most likely, so is yours.

Wednesday, November 30, 2011

SPECIAL OFFER: Larry Marder Personalized Hardcovers for CBLDF!







Wahoolazuma! CBLDF President Larry Marder contributes this signed hardcover edition of his most peculiar comics experience Beanworld! Captivating readers from grade school to grad school, Beanworld is a peculiar fantasy that operates under its own rules and laws. Series creator Larry Marder says, "Beanworld is about the affinity of life. It's like A Bug's Life meets Mutts, as told by Dr. Seuss and Joseph Campbell." Meet Mr. Spook, Professor Garbanzo, Beanish, and the Chow Sol'jer Army as they experience adventures that prove, whether friends or adversaries, we all ultimately depend on each other for survival. Beanworld reflects deep truths about our world, including themes of ecology, advertising, culture, and art, making the experiences of these fanciful creatures feel as true, funny, moving, and relatable as anything in our own reality.

Personalization requests due by December 5!

Here’s How The Personalization Works:
When you place your order with the CBLDF for these holiday premiums, you can have each of the offered books personalized to one or two names, and the artist will sign and personalize the book on a high quality CBLDF-branded bookplate. When you place your order in the comments section, please include the personalization request, such as: For Carl & Nancy, or For Will, or To The Groppers! Sorry – artists will not be able to provide sketches or other messages.

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This Larry Marder/Beanworld thing is part of a much larger CBLDF Spirit of Giving drive.
The Will & Ann Eisner Family Foundation will make a contribution to the CBLDF for every donation and membership placed during this campaign!

Be a hero this holiday by giving the most unique gifts that make a real difference when you support the CBLDF with the Spirit of Giving!

Larry












Monday, November 28, 2011

Larry Marder's DEJA VIEW!




First I told myself  "I'll finish Here There and get 'em done."
Next I pushed it back to until I get all the coloring and new pages for Beanworld 3.5 in the can.
Then I thought I could go the distance and get Something More finished first.
Wasn't gonna happen.

What am I talking about?
Cataracts.
I had 'em.
Bad.
My cloudy eyes weren't going to carry me through to the end.


I was told almost 8 years ago that I'd need to have my cataracts taken care of within five years.
I held out as long as I could.
It was okay to lose my night vision.
I even could handle the "cloudy look" of people's faces and not being able to see virtually anything or anyone in large gatherings and public places. After all I could still draw all day and night.
And then--I couldn't.

I knew by the end of San Diego Comic-Con that I couldn't get by any longer.
It was time for me to face the facts.
My eyes were in need of repair.

Now, I'm a total wuss when it comes to my eyes.
An eyelash caught in my eye or a bit of grit under the eyelid and I'm not a happy camper.
Never could wear contacts and never once considered having Lasik surgery either.

So the idea of having the lenses in my eyeballs, y'know the ones I was issued upon birth, being taken out and swapped for something man-made quite frankly gave me the heebie-jeebies.

Everyone told me: Don't worry about it.
It's a cakewalk.

Well, it was.
Easy as pie.

Out came my old clouded up natural lenses and in went my super duper 21st century lens implants and the world became new. Like Dorothy opening the door onto Munchkinland kind of mind boggling new.

Incredible.
Amazing.
Astounding.
Astonishing.
Uncanny.
All those Marvel Comics title adjectives.

So now I can see distances never dreamed of before.
I'm experiencing colors in ways I haven't in years and years.

I've worn glasses since about the time the USSR put Sputnik in orbit.
All my life I've pretty much always been the most near-sighted person anyone-I-know knows.
No longer being myopic is downright bizarre.
I don't need to wear glasses anymore to see things super clearly across very long distances.

This is weird because prescription lenses for extreme nearsightedness greatly reduces the size of everything that is looked at through those lenses. For all my adult life, the things I see have appeared much smaller than they actually are. All of a sudden everything around me is huge. This is taking some getting used to.

Things up close are a different matter.
I need reading glasses to, well, read.
And draw.

Since my ocular implants I've been experimenting with different magnifications at various close distances.
Plus my eyes are still healing and adjusting and changing every day .
And I'm on quite the regimen of eye drops.

It's only going on two weeks and it takes anywhere from a month or three for everything to settle in.
My brain is processing huge amounts of sensory input every moment of every day.
Plus my body has a lifetime of habits that are no longer functional.
There is no need to hunch over a book or drawing anymore.
But my body still wants to do it even though my eyes need to be at a different distance to see correctly.
I'm constantly discovering all the new distances and postures that will make seeing-sense from now on.
Particularly on the Cintiq.
The pic above is my first attempt to draw on it.
I think it looks like I drew it.
Hope so anyway.
I'm still not over how much larger everything appears on screen--particularly the desktop icons and the Photoshop palettes.
I wasn't expecting that.

Anyway, that's where I've been and what I'm doing after my cryptic post a few weeks ago,
Every day I learn something new about how to see.

My motto as voiced by Beanish above is:
One day at a time.
One step at a time.

Book Four?
Ready or not, here I come!