Like everyone else, I go through phases in the music I listen too. Through most of 2005 and 2006 I was crazy about music that I mostly found Vocal section of Tower Records (while they were still breathing). The Andrews Sisters, The Boswell Sisters and The Mills Brothers were my favorites. All of their recordings swing, jump, pop, and have a joy in the beat that still shines through after soooooo many long years.
I remember the Mills Brothers as a trio of old guys on Johnny Carson when I was a kid. They sang smooth old standards like their own hit "Paper Doll" and “Dinah.” It was clear that Carson had a real affection for the Mills Brothers from his youth.
A while back I read a biography of Bing Crosby called "A Pocketful of Dreams-the Early Years, 1903-1940." (Highly recommended if you like such things.) I never had much interest in Crosby's music (still don't really) but it was in that book that I kept reading about the The Andrews Sisters, The Boswell Sisters and The Mills Brothers being such a big influence upon him in addition to Louis Armstrong and Bix Beiderbecke. I really liked THOSE guys so I decided to have a “look-hear” at the others.
Was I ever glad I did!
All three of those vocal groups were real eye-openers to me. The Mills Brothers started out as a bit of a novelty act. In their first recordings, they rarely even sang lyrics--they imitated instruments with their hands and mouths. The only real instrument they used was the guitar played by John Jr. who also sang bass/tuba. These numbers are quite hypnotic.
This piece of film (including genuine a genuine follow-the-bouncing-ball) gives you a taste of their music from the '30’s featuring the original Mills Brothers—Harry, Herbert, Donald, and John Jr.
Hang on ‘til the last minute of the clip and you will get a taste of how skillful they were at being their own amazing orchestra!
Thursday, August 30, 2007
I Ain't Got Nobody!
Tuesday, August 28, 2007
Elvis and The Penalty of Leadership
He liked to buy them and he liked to give them away.
Which made him a dang good customer of the Cadillac Company.
In 1967, Cadillac sent out scrolled facimile reproductions of the 1915 Penalty of Leadership advertisement to their current customer list. Because he was such a loyal consumer of Cadillac's automobile product line, Elvis recieved a copy of the 52 year old advertisement.
"When he read it, he said that even though the piece of paper had been written before he was born, the author could have just as well been writing about him.Elvis framed the scroll and hung it near the desk in his office at the mansion. It still hangs in Graceland today for visitors to see."
Just goes to show ya--great advertising is timeless--even if the language and typography can seem antiquated and dated.
It's Tantalizing Teaser Tuesday!
Monday, August 27, 2007
Can The Circle Be Unbroken?
I've been listening to the original Carter Family lately.
A lot.
Not quite sure what their music is perculating in my imagination--but something is a-brewin' there--particularly concerning Beanish and Dreamishness.
So here it is Monday morning...and before I submerge myself back into a week full of toy business--I thought I'd share some Carter Family music with you.
Mother Maybelle's scratchy "pluck-strum-hammer" style of guitar picking is what attracts me to this music more than anything else.
I'm gonna write more about this later including their later incarnation, Mother Maybelle and the Carter Sisters--but in the meantime give this classic recording from 1935 a good listen.
Sunday, August 26, 2007
Saturday, August 25, 2007
Beanish Done Blindfolded!
"Would you care to try it with a Beanworld character and post the result here?"
Friday, August 24, 2007
Weird Deep-Sea Creatures Found in Atlantic!
Thursday, August 23, 2007
Freshest Taste In Beans!
(Not allowed to imbed this Jolly Green Giant commercial--but please click it and give it a look-see and come back here!)
"Good things from the Garden, Garden in the Valley, Valley of the Jolly Green Giant!"
I remember this 60s ad as if I'd seen it for the first time just yesterday.
I loved the jingle and used to sing it all the time.
(Really liked the female voice singing the echo!)
As a kid I truly believed that green beans cut at an angle were more juicy and flavorful!
This mixture of live action and animation is from the Leo Burnett ad agency when ol' Leo was still alive and at the apex of his creative powers.
It is impossible to measure how much influence the character driven advertisements from Leo Burnett influenced me while I was growing up.
In fact, it was an ad spot for Green Giant peas (featuring the Little Green Sprout) that served as a springboard for part of the storyline for Beanworld #1.
That was in the '80s and a different story for a different time.
Tuesday, August 21, 2007
If there were comic book conventions in 1947--this might be what they would do at night at their wild parties in the then swanky Hotel San Diego!
It's Tantalizing Teaser Tuesday!
We last glimpsed these two two adventurous Pod'l'pool Cuties in the preview ashcan Hungry. Turns out they got themselves in a bit of a jam and The Elusive Notworm rescues them from terrible high altitude peril. No one realizes it yet--but the little one's mischief sets some amazing events in motion!
Monday, August 20, 2007
The 1915 Cadillac had a problem...
When Cadillac’s primary competitor in the opulent automobile market, Packard Motors, came out with a six cylinder engine on their new luxury models—Cadillac felt pressured to respond in kind. In a most American fashion, Cadillac leapfrogged past Packard and introduced a high speed V-8 engine. After all, two more cylinders must be better than six, right?
Well, unfortunately for the folks at Cadillac the answer was—no.
As author, Stephen Fox, describes in “The Mirror Makers” (one of my favorite books):
“The V-8 was skittery at first, prone to short circuits and fires. Packard made the most of Cadillac’s problems.”
That sure put them in a pickle.
The ad only ran once in the Saturday Evening Post in 1915. The ad was in stark black and white in an era of splashy full color magazine ad pages. Nowhere in the ad copy are Cadillac, cylinders, or even the automotive industry mentioned. Except for a small logo placed in the top right corner of the decorative border and another embedded in the center below—you would not even know who or what the ad was for!
But it was quite a read. The Penalty of Leadership, written by Theodore F. MacManus is considered one of the greatest and most influential advertisements of all time.
The Penalty of Leadership
"In every field of human endeavor, he that is first must perpetually live in the white light of publicity. Whether the leadership be vested in a man or in a manufactured product, emulation and envy are ever at work. In art, in literature, in music, in industry, the reward and the punishment are always the same. The reward is widespread recognition; the punishment, fierce denial and detraction. When a man's work becomes a standard for the whole world, it also becomes a target for the shafts of the envious few. If his work be mediocre, he will be left severely alone - if he achieves a masterpiece, it will set a million tongues a -wagging. Jealousy does not protrude its forked tongue at the artist who produces a commonplace painting. Whatsoever you write, or paint, or play, or sing, or build, no one will strive to surpass or to slander you unless your work be stamped with the seal of genius. Long, long after a great work or a good work has been done, those who are disappointed or envious, continue to cry out that it cannot be done. Spiteful little voices in the domain of art were raised against our own Whistler as a mountback, long after the big would had acclaimed him its greatest artistic genius. Multitudes flocked to Bayreuth to worship at the musical shrine of Wagner, while the little group of those whom he had dethroned and displaced argued angrily that he was no musician at all. The little world continued to protest that Fulton could never build a steamboat, while the big world flocked to the river banks to see his boat steam by. The leader is assailed because he is a leader, and the effort to equal him is merely added proof of that leadership. Failing to equal or to excel, the follower seeks to depreciate and to destroy - but only confirms once more the superiority of that which he strives to supplant. There is nothing new in this. It is as old as the world and as old as human passions - envy, fear, greed, ambition, and the desire to surpass. And it all avails nothing. If the leader truly leads, he remains - the leader. Master-poet, master-painter, master-workman, each in his turn is assailed, and each holds his laurels through the ages. That which is good or great makes itself known, no matter how loud the clamor of denial. That which deserves to live—lives."
And you know what? The ad worked. Cadillac’s reputation was saved.
And Packard?
Well, it’s gone.
Died in 1958.
It’s not the prose of the ad copy itself that made it so famous. The narrative today seems archaic and even then was considered a bit stuffy. No, it is the corporate problem that the ad solved so handily that has made it so memorable.
So, why did the ad work?
Well, Mr. MacManus’ own opinion was this:
“The real suggestion to convey is that the man manufacturing the product is an honest man, and that the product is an honest product, to be preferred above all others.”
In case you haven’t noticed.
I love the history of advertising!
This story made me think about Philip K Dick!
Stringbean Monday!
It's Monday morning, so let's get the new week going with some toe-tapping,thumping good old time banjo music from the incomparable Stringbean.
The spangled fellow introducing him is Porter Wagoner.
Friday, August 17, 2007
Minotaur Song!
The Incredible String Band were an acquired taste even in their heyday of the late '60s and early '70s but if you could GET them--chances were you LOVED them.
I really liked their flippy, trippy form of folk music vaguely based in the Scots tradition.
Robin Williamson's The Minotaur's Song was on Incredible String Band's 1968 album The Hangman's Beautiful Daughter.
Even at age 18, I was enthralled with the weird amalgamation of mythology, folk music, and show tune-iness of this song. The words to the song (well most of them anyway) have stuck with me for almost 40 years now.
When I was poking around on YouTube and found this ridiculously silly but altogether appropriate animation by dalekemperorjohn illustrating the song--I knew I had to share it with you
Not all the news from China is bad.
Thursday, August 16, 2007
Dust Breeding
Marcel Duchamp worked on the his Large Glass (more properly titled "The Bride Stripped Bare by Her Bachelors, Even) from 1915 to 1923.
It was never finished.
Duchamp worked from meticulous notes that he began to accumulate in Munich in the summer of 1913.
Why did Duchamp, a French cubist have a studio in Berlin, a city that for all intents and purposes had no Cubist community?
He was in a bit of a self-imposed exile.
Duchamp's failed attempt to exhibit Nude Descending a Staircase No. 2 at the 1912 Independant Salon exhibition back in Paris had caused a bit of a behind-the-scenes ruckus--and Duchamp wanted to go to a place he didn't speak the language to collect his thoughts.
He chose Berlin and it was there that he began to put together his notes for the Glass.
When WWI ripped Europe apart. Due to a heart murmus, Duchamp was exempt from military service. Duchamp decided to visit America.
He began the Glass in New York in 1915.
He applied lead wires to the transparent glass in the geometric shaps and designs he desired.
The work went achingly slow.
For one part of his Glass--the seives-- Duchamp decided to use actual dust.
Below are the actual notes that Duchamp worked from:
To raise dust
On Dust-Glasses
for 4 months, 6 months. Which you
close up afterwards
hermetically. = Transparancy
- Differences to be worked out.
For the seives in the glass--allow dust to
fall on this part a dust of 3 or 4 months
wipe well around it in such a way that this dust
will be a kind of color (transparent pastel)
In order to accumulate the proper amount of dust, he placed the pane of glass horizontally on two saw horses and left it untouched in his New York studio for the bulk of 1920.
When Duchamp determined that enough dust had collected, his good pal, Man Ray, came over to his studio document the accumulation of dust on the surface of the Glass.
Within days, Duchamp carefully adhered the dust with varnish and cleared away all the rest of the dust. It turned out precisely as he anticipated: a kind of color (transparent pastel)
Tuesday, August 14, 2007
Check out these OZ illustrations!
Hey Kids! Guess What Day It Is?
Monday, August 13, 2007
One of the worlds most puzzling mysteries: the moving rocks of Death Valley
These rocks, some as heavy as 700 pounds, are inexplicably transported across a
virtually flat desert plain, leaving erratic trails in the hard mud behind them,
some hundreds of yards long. They move by some mysterious force, and in the nine
decades since we have known about them, no one has ever seen them move.
read more digg story
Sunday, August 12, 2007
Bob Wills and the Texas Playboys Singing Ida Red
It's a beautiful summer sunny California afternoon and I felt like hearing some Bob Wills. Trouble is--all my Bob Wills music is in AZ. Not to worry--found some on YouTube.
You remember that line in "Blues Brothers" where the bar owner says "We got both kinds of music here. Country and Western."
Well, Bob Wills music was definitely western! His brand of western swing music was unique then and holds up (to me anyway) to this day. A weird amalgamation of country fiddle music, big band swing music, and proto-rock'n'roll.
The thing I respect about Wills more than almost anything, was that he believed that his band was onstage for one reason and one reason only--to give the folks something irresistible to dance to. He was never satisfied unless his audience was jumping and whirling on the dance floor.
Friday, August 10, 2007
Another Place I Absolutely Need To Visit Someday!
read more digg story
Goofy Scientific Factoid of the Day!
read more | digg story
Thursday, August 9, 2007
Cakewalkin' Babies From Home!
I found this just now while lookin' for something else. Years ago, when I was in art school...for a few months over the winter of '71-'72 I DJ'd a traditional-type old time jazz broadcast on WWUH in West Hartford, CT. This superb cut was my intro theme song. It always was quite the segue from whatever preceeded me (something like Pure Prairie League or Gordon Lightfoot).
Once this track was crackling out of the speakers--it was time for "Hot Jazz on a Cold Night." (Or whatever my show was called)
It's still one of my very favorite Pops (Louis Armstrong) recordings and teamed up with Sidney Bechet on soprano sax too! This number just pops, and jumps, and swings!
Always makes me wanna get up and do a bean-dance!
NEWS ALERT: Rubber Duck Armada Nears Britain!
Wednesday, August 8, 2007
The Secret Origin of the Beanworld Dress Revealed!!
Tuesday, August 7, 2007
Monday, August 6, 2007
Wonderfully weird Jolly Green Giant spot
A really weird spot from the folks at Leo Burnett. The way it was explained to me years ago, the Giant started out as a scary monster and then in the post-war era on TV transformed into the friendly Ho-Ho-Ho dude we all remember in the 70s when he was finally upstaged by ever so cute and often annoying Little Green Sprout. This clip is a gem and from the Mickey Rooney Show no less--whahoolazuma!
Garfield Goose and the Goofy Service Jerks
(I found out on the web that the song is called "Monkey on a String" by organist Ethel Smith--I had no idea!)
"The puppet characters included Garfield Goose; Garfield's nephew, Chris (born on Christmas day); Romberg Rabbit, a former magician's assistant; Ramona Rabbit, Romberg's girlfriend; Beauregard Burnside III, a bloodhound; Macintosh Mouse; Mama Goose and Ally Gator. The puppets never spoke. Garfield would clack his beak, and Thomas interpreted for him."
Anyone growing up in Illinois during that time can immediately connect by just saying: "Hotdogs, hamburgers, spaghetti and meatballs!" or "Remember Journey to the Beginning of Time?" and of course "I'm Hardrock" "I'm Coco" "I'm Jo!" With the name "Jo" sung in the deepest register one can muster.
Friday, August 3, 2007
My Do-It-Yourself Der Stinkle
This humongous tangle of a plant started out a couple of years ago as a few barren shoots of brownish green in the dirt of my back patio in Arizona.
It grew incredibly fast. And got really big!
About a year ago, Cory in an adventurous moment, cut it back to its roots, and like the Hydra, for every shoot cut back--it seems two have regrown in its place. And it grew back. Incredibly fast. And got really big--again.
It gets no water whatsoever. In fact, now that it is the official monsoon season and it gets drenched with rain now and again...it seems to be turning a bit brownish. In the spring it shot forth, delicate lavender-colored tufty frond thingies.
My Toy Company colleague, Jenny D'Amore tells me that it's just plain ol' desert grass but I know better! I call it my Do-It-Yourself Der Stinkle and it gives me great pleasure to watch it grow and change.
I'll try to take a picture of it every season as the Beanworld turns.
Wednesday, August 1, 2007
My last thoughts about SD07
This week has been a lot busier work-wise than I anticipated (and I anticipated a lot!).
Plus, Cory is back from India and we have been doing a lot of catching up. She with her fabulous trip and me with Comic-con annecdotes.
The convention itself is fading into memory and so I think I'm going to have to pass for the moment on writing much more about it. Like most things with me--it'll all come out in dribs and drabs later on.
I do, however, agree with almost everything Tom Spurgeon said in his informative, well written analysis at The Comics Reporter. The following even made me laugh out loud.
"16. Old San Diego (stabbings, bums) vs. New San Diego (William Morris
Agency parties, Starbucks)"