Showing posts with label CAM. Show all posts
Showing posts with label CAM. Show all posts

Wednesday, September 1, 2010

Crazy Trade-Ins from Floating World!


Last Tuesday, I made an appearance at Cartoon Art Museum in San Francisco
The Storytime! show is really quite extraordinary and very informative.
We wanted to focus on the process of creating comics and the show really demonstrates how all of the artists in the show work out their stories.
Everyone does it differently.
(Hope Larson's thumbnails are something to see!)
My stuff looked a lot better up on the walls then it did when I was sorting through it on my studio floor. Context is everything, huh?


Duh....I forgot my camera and failed to get any pictures.
The exhibit is up until November 14 and if you are going to APE--you really want to pop in and give the show a look-see.


Then last Wednesday, I did a signing at Floating World Comics in Portland OR.
It was an opportunity to see old friends, make new ones, and have a thoroughly enjoyable evening.


Many thanks to Jason of Floating World for working with Diana Schutz and making the whole thing happen in a very short period of time.


And there were even some particularly excellent Crazy Trade-Ins.

Riley, age 8, wasn't a bit shy to show me her Beanworld originals. She insisted I take several pages because "It's easy to make more." When I asked her who her favorite Beanworld character is, hands down it was "Pod'l'pool Cuties." More of Riley's fantastic artwork here.


Kids love the Cuties. Doesn't matter what stage the Cuties are in--they are popular as can be.I've written about it before, and will again, but it amazes me how they took over the book and in turn Beanworld fandom. There really needs to be Cutie merchandise of its own--don't you think?


Speaking of merchandise: please post your wish lists of what you most need to have!
We'll speak of this again later


This watercolor illo of Beanish pondering Kant came from the incredibly talented Dylan Meconis.
Totally cracked me up.
I was truly complimented she took the time out of her busy schedule to join the Beanworld Trade-In craziness!


One of the things that also came out of that night was me agreeing to come up again next spring for Stumptown Comic Fest April 16 &17, 2011.


In a day or two, I'll post about something that happened at Floating World that reminded me that a post about the Eclipse Comics hard covers from two decades ago is long over due.


Monday, August 23, 2010

Will there be...???


Secret Sketches?



Ohhhhhhh yeahhhhhh!



TUESDAY
August 24th

CARTOON ART MUSEUM
7:00-9:00pm

655 Mission Street
San Francisco CA
(between New Montgomery and Third Streets)
(415) CAR-TOON
With Lark Pien!



WEDNESDAY
August 25th

Floating World Comics
6-8pm

20 NW 5th Ave #101
Portland OR

Saturday, August 21, 2010

Hoo-Hoo-HAs & a Hoka-Hoka-HEY!


It's been a long, long time since I answered my mail here.
So let's get to it!



Dear Larry,

I took this picture for you today while walking in Boston's historic North End neighborhood. This mosaic greets visitors to the local branch of the public library. It looks like Proffy's dream from Beanworld.

I am eagerly awaiting the next book!

Best,
Brad Friedman

I love knowing that this mosaic exists.
Brad, you're so right to think about Proffy' dream when looking at this.

Whoever made it was thinking along very similar, but ultimately a bit different, lines as the creation of the 23 Realities in Proffy's dream: A Gift Comes!-page 317).

Thanks so much for taking the time to snap the pic and send it along.


Larry,

I wanted to upgrade my TALES OF THE BEANWORLD books from paperback to hardcover until I saw that they were reduced in page size. What was the reasoning on doing this?

Todd Tamanend Clark


Excellent question, Todd...

Quite a few of the photographic film negatives from the old comics were lost. This was not a huge deal because I never sold my original pages and was in possession of every page of the Tales of the Beanworld.

The original negs were often kind of shoddy anyway. Many were shot as favors or at discounted prices and didn't always accurately reflect the drawings on the pages. Fine lines often closed up or got fuzzy or disappeared altogether.

So we went back to the source material and scanned it all digitally. The production department at Dark Horse A really talented digital artist at Dark Horse, Matt Dryer did an astounding job capturing the fidelity and crispness of the original artwork . Thanks to the iron will of Diana Schutz and the DH production department the hardcover books totally look exactly like the scans--and the scans look like the drawings.

We also knew, as long as we were starting from scratch anyway, that a size change was something to seriously contemplate. I admit, I was cautious about reducing the page size but I also knew that a slightly smaller 6" x 9" final product was a format that had wider commercial acceptance and once I saw just how inconsequential the reductions actually were--I never looked back. You can see for yourself in the picture (below) I just snapped of a random page in both formats.

I don't think anything is lost in the transition--but I'll leave it up to other Beanworld fans to give their opinions.



Ever see these, Larry?

http://www.mightybeanz.com/

$1 each, over 100 to collect, nice carrying case too. I thought they'd be nice to scrape the picture off if possible and paint your beans on them.

yuppicide138



No, Yup, I've never seen them before.
Pretty nifty toys.

The site itself....map, the music, the bad puns, the ridiculous attitude is the sort of thing that can keep me awake at night whenever some one asks about turning Beanworld into something-other-than-what- it-already-is.

It's this anxiety that somehow no matter what I am promised (or even guaranteed) that somehow Hollywood will transform Beanworld into something like this.

No can do, folks, no can do.



Hi Larry,

I was going through a box in storage when my eye caught a glimpse of an envelope bearing a familiar green “bean.” Inside, was a letter and a stash of chip drawings purchased from you at San Diego Comic Con in the time leading up to the full blown “commission piece” you did for me. Hope all is well!

Kind regards,
Kevin Noonchester

As I told you at Comic-Con, Kevin, it's hard to believe its been 25 years since the first time you came up to my table in 1985. You were one of the very first Beanworld readers I ever met that was an actual kid! Up until that point, I really didn't know that a middle schooler was capable of following the intricacies of Beanworld.

Now, everyone knows differently, of course.

That's quite a stash over Beanworld "chip drawings" you accumulated one-by-one over the years.

And the letter?
An personalized, original drawing of Beanish before TOTB #4?
Hey, that's a pretty cool thing to own if I do say so myself!



Hi Larry,

This is a long shot, writing to you, since you probably get thousands of fan emails and I'll probably not get a reply, but:
Isn't Beanworld about our circulatory system?

I don't want to bother you with details of why I think so (including the shapes chosen for the 4 realities and the bacterial/viral infection of the poppers etc), I'm just surprised that no one seems to have mentioned this anywhere on the Web.

Thank you for Beanworld and for your time.

Dominic Wan
Singapore

To the best of my sometimes leaky memory, Dominic, no one has quite made this observation before. It's a fascinating new interpretation of Beanworld.

As I always say, whatever resonance a Beanworld reader feels emanating while reading the book is true. If you think it, if you feel it: it's there.

It's a pact, a covenant between you and the Beanworld.
I'm just the guy who delivered the pages.

If you are local to San Francisco or Portland OR next week....I'll be appearing at:


TUESDAY
August 24th
CARTOON ART MUSEUM
7:00-9:00pm
655 Mission Street
San Francisco CA
(between New Montgomery and Third Streets)
(415) CAR-TOON


WEDNESDAY
August 25th
6-8pm
20 NW 5th Ave #101
Portland OR


Tuesday, June 29, 2010

Storytime! Graphic Novels for Kids of All Ages

Storytime! Graphic Novels for Kids of All Ages
June 26 – November 14, 2010

Cartoon Art Museum
655 Mission Street
San Francisco, CA 94105
(415) CAR-TOON
(415) 227-8666

Tuesday to Sunday, 11am – 5pm
Closed Monday and on the following holidays:New Year’s Day, Easter,
Independence Day, Thanksgiving, and Christmas.

Admissions
$7 – Adults
$5 – Students & Seniors
$3 – Children (ages 6 – 12)
FREE – Children (age 5 & under)

Over the past decade, graphic novels have exploded in popularity with children and teenagers. The Cartoon Art Museum’s latest exhibition, Storytime! Graphic Novels for Kids of All Ages, features the work of ten influential cartoonists whose work broke new ground in bookstores and libraries.

Their graphic novels are promoted as product for the children and young adult marketplace but these innovative graphic novels are captivating to readers of all ages.

Co-curators Andrew Farago and Larry Marder have placed a special emphasis on the creative processes used by the individual artists. Visitors are invited to peek over the shoulders of the creators and follow along from the first sketchbook doodles all the way to the printed page.

Highlights of Storytime! include:

  • *A behind-the-scenes look at the creative process of acclaimed children’s book creator Mo Willems as he shares production art from his book Elephants Cannot Dance!

  • Classic tales from Little Lulu, drawn by Irving Tripp and written by Virginia Hubbell, including never-before-seen thumbnail sketches and typewritten scripts.

  • Larry Marder’s Beanworld, a compelling fantasy with profound insights into themes of ecology, culture, and art; a most peculiar comic book experience.

  • Stan Sakai’s Eisner-winning samurai epic Usagi Yojimbo.

  • Smile (A Dental Drama), the new autobiographical graphic novel set in San Francisco, by Raina Telgemeier, artist of the Baby-sitters Club graphic novels.

  • Harvey Award-winning cartoonist Lark Pien’s children’s books Mr. Elephanter and Long Tail Kitty.

  • A sneak peek at Dave Roman’s upcoming comedic sci-fi graphic novel Astronaut Academy.

  • Eisner-winning creator Hope Larson’s newest graphic novel, Mercury, an engaging combination of history, romance and magical realism.

  • Jeff Smith’s epic cartoon/fantasy BONE, which redefined the world of graphic novels. Smith’s contribution to Storytime! appears in the latest BONE graphic novel, Tall Tales, published by Scholastic.

Programming featuring Storytime! artists will take place throughout the duration of the exhibition. Details regarding these events will be announced as schedules are confirmed.

---------

Next time, I'll fill you in on the Secret Origin of Storytime! and how it all came to be.